Sunday, 19 November 2017

Contextual Research- Chaos Theory, and Subjectivity

Chaos in graphic design


Chaos and geometric order.

Geometric order and chaos include two different concepts. Geometric order is represented in a mathematical order which includes, (in 2D: line, circle, quarter, or in 3D: plane, sphere, cube) and ideal relationships (perpendicularly, parallelism, symmetry, rhythm/regularity). However, Chaos is the opposite to geometric order.  Chaos includes forms and relationships which are complex and difficult to describe with the language of classic maths.



Figure 1 explored two graphic compositions, the first composition exploring a chaotic background with a regular area (geometric area), compared to the right image which shows a geometric background which includes a chaotic area.

Artist Research




Nike, "Turn Chaos into Control"

https://www.awwwards.com/chaos-and-color-poster-inspiration-board.html


Nike Brand Space, Madrid

Nike launched the new Brand Space in Madrid. The client wanted a wall inspired in Madrid street tiles

https://www.behance.net/gallery/23327407/The-Failure-Series 

The Failure Series 

W.A.B.B


3h zine project: chaos vs order

Art Direction, Editorial Design, Graphic Design

Jonas Mollenbeck collaborated to create a zine about a topic they chose in 3 hours. The design purpose, was to design without restrictions. The zine deals with chaos and order as a metaphorical example. The topics were dealt in an illustrative, typographic and graphic way.







Umut Guney

Art Direction, Typography, Graphic design

Glitch 





Non Format

Resource: Non Format. Love Song- Die Gestalten Velog (Book)

Kjell Ekorn and Jon Forss founded Non Format. The practise focus on innovative graphic design and image- making. The work combines a contemporary, stark and edgy aesthetic. 

The inspiration was taken from Japanese magazine Cut. 



The Wire Magazine

CL:The Wire May 2003,
Promo material and feature pages
PT: Akzidenz Grotesk, Amarilla USAF
P: Jake Walters
P:Ami Robins 
P: Magdalena Blaszczuk
P: Mattias EK 


The Wire magazine
CL:The Wire June, 2003, Feature Pages
Rejected Feature treatment
P: Frank Bauer
PT:Avant Garde

Feature pages PT: Akzidenz Grotesk customised Composite



Colour
CL: Creator Studio magazine
2004
Editorial pages
PT: Custom Mode











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